Showing posts with label advice. Show all posts
Showing posts with label advice. Show all posts

Wednesday, July 3, 2013

Self-Publishing Strategy: HAVE ONE.

As the self-publishing world grows and grows there is more and more research to be done before taking the leap. What self-pub platform to use, what retailers to target, if you should use a distributor, print and eBook or eBook-only--the list of non-editorial decisions is longer than I am tall. Then there are the editorial ones--the cover, the blurb, the content itself. So. Many. THINGS.

While some self-published authors are doing fabulously, though, a lot of them don't get the reception they were hoping for in this crazy market. Kristen Lamb over at Warrior Writers today took a look at some of the reasons why in her post "Freedom isn’t Free—5 Common Tactical Errors in Self-Publishing." Her thoughts are insightful (and true, if you ask me) and can help any author thinking about self-publishing determine if they are prepared, even with just the basics:

[...] 
Tactical Error #1 Publishing Too Soon
The problem with the ease of self-publishing is that it is, well, too easy. When we are new, frankly, most of us are too dumb to know what we don’t know. Just because we made As in English, does not automatically qualify us to write a work spanning 60-100,000 words.
Too many new writers do not properly understand the antagonist. They don’t grasp three-act structure, and most don’t have any idea what I mean when I mention POV, Jungian archetypes, or the phrase, “scene and sequel.” 
[...] I see a lot of new writers who believe their story is the exception, that the rules make for “formulaic” writing. No, rules are there for a reason, and, if the writing is too formulaic, it has more to do with execution than the rules. 
Three-act structure has been around since Aristotle, and there is a lot of evidence in neuroscience that suggests that three-act structure is actually hard-wired into the human brain. Thus, when we deviate too far from three-act structure, it confuses and frustrates readers. 
Stories have clear beginnings, middles and ends. 
Yes, we are artists, but we need to understand the fundamentals. I played clarinet for years, and yes it was an art. But this didn’t excuse me from having to learn to read music, the finger positions and proper embouchure (the way to position the mouth to play). 
The better we are at the basics, the better we know the rules, the more we become true artists. 
I’ve received contest winners whose first pages were filled with newbie errors. Yet, when I sent them my critique filled with pages of corrections, I would then receive a reply telling me that the book had already been self-published. 
OUCH. 
Sometimes there are reasons we are being rejected and we need to take a hard look and be honest. Self-publishing is suffering a stigma from too many writers publishing before they’re ready. If you really want to self-publish, I’m here to support you and cheer you all the way, but remember, we have to write better than the traditional authors. 
Tactical Error #2 No Prepared Platform 
The day we decide to do this writing thing for real is the day we need to start creating a platform and brand. Even traditional authors goof this up. I cannot count how many times I get a message saying, “Hey, I have a book coming out next month. I need to do social media. Can you help?” 
Seriously? O_o 
I’m Kristen Lamb, not Harry Potter. 
Tactical Error #3 Believing that, “If We Write it They Will Come” 
There are a lot of writers who mistakenly believe that self-publishing is an easier and faster way to fame and success. Yeah, um no. And those magic beans are really just beans. 
Sorry. I was bummed, too. 
Self-publishing is A LOT of work, especially if we are starting out this way. I know Bob Mayer and Joe Konrath lecture writers to do less social media and more writing. To an extent I agree, but here is the thing. These guys were branded traditional authors who could slap New York Times Best-Selling in front of their names when they decided to go it alone. 
If you can’t slap New York Times Best-Selling in front of your name and upload a NY vetted backlist longer than your arm? Prepare for a ton of work. 
Tactical Error #4 Misusing FREE! 
There are a lot of problems with giving books away for FREE! We shouldn’t be giving away our work unless it serves some kind of a strategic advantage. There are ways to effectively harness they power of FREE! but too few writers understand how to do this and they just end up giving away their art for no tangible gain. 
Tactical Error #5 Shopping One Book to DEATH 
One of the BIGGEST problems I see with self-published writers is that they publish one book and then they focus every bit of energy on selling THAT book. 
They fill up #MyWANA and all the writing hashtags with link spam promoting their books. They keep futzing with the cover, the web site, the promotions. They do blog tours until they drop, and they do everything except what is going to help that book sell a ton of copies…write more books. 
Here’s the thing. Self-publishing, in many ways, just allows us to accelerate the career path of the author. Even in traditional publishing, it usually takes about three books to gain traction. In traditional publishing, this takes three years because we are dealing with a publisher’s schedule. 
In self-publishing, we can make our own schedule, but it still takes THREE BOOKS MINIMUM. I know there are exceptions, but most self-published successes hit at about book three. The ability to offer multiple titles is a huge part of why John Locke became successful. 
This is why it is critical to keep writing. Not only will writing more books make you a better writer, but once people discover they love your writing, they have a number of titles to purchase. Being able to offer multiple titles is how we make money at self-publishing. It also helps us maximize the whole FREE! tactic. 
Yesterday, I bought six books (1,500 pages) of research. I just published my latest book five days ago…and I’m starting on my next book. Goal is to have the first draft completed by August. I don’t tell you guys to do anything that, I myself, am unwilling to do. 
Remember Why We Do This 
Self-publishing is a wonderful alternative. Just because we self-publish doesn’t mean we cannot publish other ways, too. I feel the author of the future will actually be a hybrid author, and I do believe that the ability to self-publish is challenging all of us to come up higher. We are striving to be better writers, to be better entrepreneurs, to get better at organization and time-management and to write more books and better books. If we can learn from these mistakes and grow, then the future is ours for the taking. 
See the complete original post HERE


Kristen's site is a great place for writers to get some handy tips (and a good laugh--she's a funny one!), so be sure to check it out. Her newest book, Rise of the Machines--Human Authors in a Digital World, is on sale for $7.04 at the moment to celebrate Independence Day.

Tuesday, April 2, 2013

Authors Give a Hand to Young Writers

Writing is not an easy job. I should know--I've been sitting on partially written manuscripts since I was about 12. Editing I can hop to, no problem, but writing? Writing is tougher for me. Putting my own ideas down on paper is a terrifying thought.

I'm not alone in this fear though, and oftentimes writers need a little encouragement from their peers to get over the hump. Yesterday, BuzzFeed gave us a hand, by sharing "27 Pieces Of Advice For Writers From Famous Authors: where "Celebrated authors, editors and illustrators write advice to young writers on their hands for “Shared Worlds,” a two-week creative writing summer camp at Wofford College."

Here are some of my personal favorites:


1. Neil Gaiman.

Neil Gaiman.
Award-winning author of American Gods, Coraline, Stardust and many more.

3. Garth Nix.

Garth Nix.
Award-winning author of the "Old Kingdom," "Seventh Tower" and "Keys to the Kingdom" series.

4. Karen Lord.

Karen Lord.
Author of Redemption in Indigo and The Best of All Possible Worlds.

5. Patrick Rothfuss.

Patrick Rothfuss.
Author of The Name of the Wind and The Wise Man's Fear.

8. Jody Lynn Nye.

Jody Lynn Nye.
Award-winning author of more than forty novels and one hundred short stories.

9. C.S.E. Cooney.

C.S.E. Cooney.
Noted author of science fiction short stories and poetry.

15. Lev Grossman.

Lev Grossman.
Bestselling author of The Magicians and The Magician King.

16. Gregory Norman Bossert.

Gregory Norman Bossert.
Noted short story author and illustrator.

17. Scott Eagle.

Scott Eagle.
Noted author and illustrator.


18. Jeff VanderMeer.

Jeff VanderMeer.
Award-winning editor, publisher and author of City of Saints and Madmen, among others.

26. Karin Tidbeck.

Karin Tidbeck.
Award-winning Swedish author of fantasy and weird fiction.

See them all HERE



Wednesday, December 22, 2010

The Story of Obama

Today marks a significant day in GLBT rights in the U.S. as President Obama signed a repeal for the unjust "Don't Ask, Don't Tell" policy. (Yay!)

But that's not the only thing I found about him in the news for when surfing the net on my lunch break. It seems he's also "lost his narrative," according to the Daily Beast, and needs some pointers from the pros:

Obama has a "narrative" problem. Or at least that's the media's storyline.

"Presidential politics is about storytelling," Politico's John F. Harris said last year. "No one understands this better than Barack Obama and his team, who won the 2008 election in part because they were better storytellers than the opposition."

But, as the saying goes, you campaign in poetry and govern in prose, and before long, everyone wants to edit.

Obama has a "narrative" problem. Or at least that's the media's storyline.

"Presidential politics is about storytelling," Politico's John F. Harris said last year. "No one understands this better than Barack Obama and his team, who won the 2008 election in part because they were better storytellers than the opposition."

Take the moment this summer during the Gulf oil spill when Obama seemed upended by calamity. "He'd better seize control of the story line of his White House years," opined Maureen Dowd. "Woe-is-me is not an attractive narrative."

Click on cable television or flip to the opinion pages, and you'll discover that whenever things aren't going the president's way, it's because he has lost control of the narrative. In other words, the Obama camp is desperately in need of a re-write.

But rather than listen to the political journalists, who rate the president like National Book Award judges, we decided to ask some veteran novelists for a few hints of how to improve his plot in 2011.

Sam Lipsyte, author of The Ask, said it's time for Obama to look at his earliest chapters.

"When I am writing and floundering, with no sense of where to go, I look back to the beginning of what I am working on, and ask: Where did I start? What set this all into motion? Obama could do the same with his novel, of which we are all characters," he wrote in an email.

"The answer would be, 'Oh, yeah, I promised change, I promised to fight some very righteous fights, I gave my supporters [the reason] to believe that I would be tough enough, or at least magical enough, to rout the armies of the evil Republican wizards, even though I would try to be nice first.' Then I think he would 'find' his 'narrative,' and perhaps find the will to finally go berserk on these thugs, these goons of the oligarchy, and save the kingdom of the middle class. And people far and wide would say, 'Have you read Obama's latest? It's a great read!' He might even get on Oprah. In short, when you lose something, it's usually where you've been, not where you think you're going."

Canadian poet and author Margaret Atwood at first demurred, claiming her nationality disqualified her from meddling in her neighbor's affairs. But when pressed, she offered that a more interplanetary story line might serve the president well.

"Ask the Sci-fi writers to do some plots whereby the President has been taken over by the Pod People," she told The Daily Beast by email.

Spy novelist Alex Berenson, who published The Midnight House this year, said the way forward might be the creation of an enemy.

"The number one way you change the narrative is give him a villain," Berenson said, pointing out the way in which the country came together behind George W. Bush after the 9/11 attacks.

"I'd give him something to push against. Give him an enemy who is not John Boehner. Maybe he needs an alien invasion. We can all be against invasions."

For Berenson, the story line from the White House remains fuzzy.

"If you came in with that book, your editor would tell you, you needed to focus," he said. "You need to know who your hero was."

Read the rest of the article HERE

I'm not sure why but when I first started reading this article, I couldn't stop laughing. I found it incredibly amusing to compare a presidential term in office to a narrative in a book. But as I read, I realized it made more and more sense. Everything has a story arc to it, a character arc, a conflict, and a lesson. Each and every day can be compared to a narrative, really. And maybe it should be. Maybe it'd help us all be a little more objective, productive, and meaningful...