When the novelist Jennifer Egan submitted
her latest short story to The New Yorker, she hinted to Deborah
Treisman, the fiction editor, that there was a catch. It soon became
evident: Ms. Egan had written an entire work of fiction in 140 character
bits, to be first posted on Twitter and then published in the magazine.
“I had a sense it could work for a spy story,” Ms. Egan said this week while sitting in Ms. Treisman’s office.
Ms.
Treisman was receptive to the idea, so much so that this week the New
Yorker will begin publishing the story, “Black Box,” in segments on
Twitter. Starting Thursday night, the New Yorker’s Twitter fiction
handle,
@NYerFiction,
will post a new tweet of text from Ms. Egan’s 8,500 word story every
minute between 8 p.m. and 9 p.m. The tweets will continue for 10
straight nights. Readers can find a summary of the text posted on the
magazine’s Web site at 9 p.m. each evening.
The article, built
around a character in her Pulitzer Prize-winning novel “A Visit From the
Goon Squad,” will appear in the magazine’s first science fiction issue,
which comes out on May 29th.
While many writers have used social
media to promote their work, Ms. Egan was especially interested in
Twitter. She said she wanted to explore writing something serialized
because that’s how many people watch television programs today.
The
story is a running scroll of a spy keeping a log of her current
mission. Ms. Egan said that when she was writing, she struggled not to
make the language
sound “gimmicky” or “cartoonish.”
“I’m
just interested in serialization in fiction,” said Ms. Egan. “I’m
fascinated by it. I love the 19th-century novels. I’m interested in ways
to bring that back to fiction.”
Ms. Egan said that she is not
entirely comfortable posting tweets. She marvels that she has nearly
3,000 followers when she has only posted four tweets, including one
apologizing for being spammed. She said she feels comfortable posting to
her Web site but that her posts on Twitter didn’t work.
“I felt tongue tied. It seemed phony,” said Ms. Egan. “I felt really self-conscious.”
But
Ms. Egan said that after plugging so many lines of text into Twitter to
make sure they were 140 characters or less, she said she felt less
fearful.
Since the story’s text as written for Twitter didn’t look
right in the standard New Yorker format, the magazine is using a
different font called Neutra Face. The creative director, Wyatt
Mitchell, said it had never been used before in the body of the
magazine.
As New Yorker editors wait to see the response from
readers, Ms. Egan notes the story has already lured one new follower to
Twitter. “My mom is joining,” she said.
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