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“The Most Dangerous Game” by Richard Connell (You can read it for free here!) Chances are you’ve read this one (along with others on the list), and for good reason. This classic thriller tells the tale of a man who washes ashore of a mysterious island, only to discover an amiable host turns out to have a deadly secret. A hunting expedition comes with a twist that has been redone and parodied throughout the years, but this short, effective story gives you chills, action and a nice twist. Reading this for class in middle school made me realize how fun literature can be.
“All The King’s Horses” by Kurt Vonnegut
A story similar to the one above, this follows an American colonel, his family and crew emerging from a plane crash in the Chinese jungle. A Chinese officer captures the party and sets up a game of chess with the American colonel, except the pieces are his compatriots. Lose a piece and that player loses their life. This more dangerous game plays out as a taught drama and also as a nice piece of Cold War analogy. This story can be found in one of Vonnegut’s collections, Welcome to the Monkey House.
“Where Are You Going, Where Have You Been?” by Joyce Carol Oates (You can read it for free here!)
A very popular short story, this one from prolific writer Joyce Carol Oates seems simple, kooky, frightening and perplexing all at once. A young girl, just at the point of blossoming into adulthood, is confronted by Arnold Friend, a strange young man who appears outside of the girl’s house. Through their interaction, the girl comes to realize the power--for good and bad--of her budding sexuality. We’re never quite sure who Arnold is supposed to be, or what exactly he represents (he can be “A. Friend” or, if you remove the ‘r’s, “An old Fiend”). What’s clear is the young girl, and you the reader, will come out changed when Arnold leaves. Fun fact, Oates devoted the story to Bob Dylan, though some claim this admission really means Oates based Mr. Friend off the singer.
“St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell
Another coming-of-age story, and similarly obtuse and perplexing, “St.
Lucy’s” follows a group of what appear to be wolf-girls at a boarding home. The story is told from a young pup’s point of view, so we’re jostled about, trying to make sense of her bizarre story. Once it becomes clear that these wild young animals are being domesticated by the strict nuns of the home, everything falls into place. A nice allegory for growing up and conforming to strange societal norms, you’ll find where these wild things are to be exciting, poignant, and a little sad. This story can be found in Russell’s collection of the same name.
“Wait” by Roy Kesey
A perfect short story to read during a layover, “Wait” takes place at a nondescript, run-of-the-mill airport that exists everywhere and nowhere. A mysterious fog surrounds the airport, causing delays and grounding flights. Soon, the stranded passengers react normally, but as time passes tension escalates until there’s complete pandemonium and all hell breaks loose. If the girls in “St. Lucy’s” are forced to civilize, here we see what happens when civilization breaks down. Surreal, dark, and side-splittingly funny, “Wait” takes the history of human experience and crams it into an airport terminal. You can find this story in The Best American Short Stories 2007.
The beauty of the short story is that there are countless great ones available and they take a fraction of the time to read. Clearly, this list is missing many, many short stories. But then again, it’s a short list. What are some of your favorite short stories?
Now, I'm on a mission to find other literary-themed Cupcakes...
A team of literary bakers have created cupcakes inspired by Neil Gaiman and his beloved graphic novel series, The Sandman.
We’ve embedded a photo above, created by the Cupcake et Macaron in Canada. The Cupcakes Take the Cake blog uncovered these delicious and literary baked goods.
Check it out: ” You don’t often read stories that are so well written, and with such lovely characters. I just adored it, and if you haven’t read it yet, you really, really should! With that in mind, it really was just a matter of time before my love for Sandman met my love of everything sweet and delicious! I will eventually do all seven siblings as fondant figures, but for now, I made my favourites: Death, Dream and of course, Delirium!”
See the original post HERE




Wellesley College is finally sharing the wealth and letting us all see the handwritten love letters between Robert Browning and Elizabeth Barret Browning without having to go to their campus to do so. The school working in collaboration with Baylor University to digitize the letters so they can now be viewed online, according to theLedger.com:“I love your verses with all my heart, dear Miss Barrett ...”So begins the first love letter to 19th century poet Elizabeth Barrett from her future husband, fellow poet Robert Browning.
Their 573 love letters, which capture their courtship, their blossoming love and their forbidden marriage, have long fascinated scholars and poetry fans. Though transcriptions of their correspondence have been published in the past, the handwritten letters could only be seen at Wellesley College, where the collection has been kept since 1930.
But starting today, Valentine’s Day, their famous love letters will become available online where readers can see them — just as they were written — with creased paper, fading ink, quill pen cross outs, and even the envelopes the two poets used.
The digitization project is a collaboration between Wellesley and Baylor University in Waco, Texas, which houses the world’s largest collection of books, letters and other items related to the Brownings.
Wellesley administrators hope the project will expose students, romantics, poetry fans and others to their love story.
Barrett, one of the most well-known poets of the Victorian era, suffered from chronic illness and was in her late 30s when Browning first wrote her in 1845 to tell her he admired her work.
In their fifth month of corresponding, they met for the first time, introduced by Barrett’s cousin.
After more than a year of almost daily letters between them, the couple married in secret in September 1846, defying her father’s prohibition against her ever marrying. They fled from London to Italy, where doctors had told Barrett her health might improve. Her father disinherited her and never spoke to her again.
“It’s the fact that she defied her father, she was in ill health, they fell in love through letters, she left with hardly anything,” said Ruth Rogers, Wellesley’s curator of special collections.
“If you want a perfect romance, just read the letters,” she said.
The website set up for readers to see the correspondence includes both the handwritten letters and transcriptions, as well as a zoom function for readers to try to decipher faded or illegible words. The body of letters will also be searchable by keywords.
Readers can see for themselves how they fall in love, while corresponding about other writers, philosophy and their own work. Barrett first wrote the lines of what would become her most famous poem after she met Browning, “How Do I Love Thee? Let me count the ways.”
The website is: http://www.wellesley.edu/browning
Read the original post HERE
We hear that all the time, but the truth of it is that covers *do* matter. Like it or not, many readers often use covers to determine the “quality” of a book, even if what’s on the outside isn’t indicative of the inside. I know when I browse bookstores, my eye is usually drawn to particular types of covers, and on a shelf with hundreds of potential stories, I’m going to go to the ones that attract my attention first.
Not that it’s always a match.
I’m sure we’ve all found books with fabulous covers that were dogs inside…and discovered gems with lousy covers. Given the sheer number of books and eBooks out there, I do think that we tend to gauge the professionalism of a book by the care given to the outer shell.
This is probably particularly true in the self-published realm. You see a lot of advice given about editing, but it’s also fairly common to see requests to not skimp on the cover.
So what makes a good cover? What makes a bad cover?
The thing is, with some obvious exceptions, it’s hard to really tell. What one person finds appealing, another may not. What publishers are trying to bank on is finding a cover that will appeal to the largest range of potential buyers.
Which is great – but that’s when we start seeing trends. When I look over my bookshelves, I can almost immediately pick out which fantasy books were from the late 80’s – simply due to the style of the images, and the fact that they’re all done by 2 or 3 artists who were fairly popular back in the day. (Lots of dragons and scantily clad women, of course.) Or bodice ripper romances graced with manly men and women falling out of their clothes? (And random animals in the background and huge swirly fonts proclaiming Scarlet Something, or Heated Whatever.)
Take Urban Fantasy today – how many covers have kick-ass women in leather? Or shirtless men with abs of steel for Paranormal Romance? (and how many covers have we seen lately where it’s not even an entire person? Just an abdomen, glistening in the moonlight?)
And then there’s sometimes a bit of reader backlash. (And sometimes mockery. Just check out WTFbadromancecovers.tumblr.com if you want to see what I mean.)
They want something different, but how can they find that different book when they all start to look the same? And if I had to ask you, what cover have you seen in the last few years that instantly became a trendsetter? That you would recognize on sight?
For me, there are very few. Maybe Twilight, which I’ve never read, but the minimalist color scheme and stark background make for immediate recognition. (And a fair number of copycats afterward.)
It becomes a fine line, really. We want readers to know what sort of book they’re picking up because it makes it easier for them to choose what to read – I’d expect something sexy for an erotic romance, for example. But we also want to have them stand on their own. (God, it’s almost like high school, isn’t it? “Be yourself…but don’t be so different that no one will have anything to do with you!”)
So what are your favorite covers? Most hated covers? What is it about a cover that leads you to buy or read a book? Do covers matter at all?
Note about the blogger (from Danielle!): Allison's second novel in her Abby Sinclair series, A Sliver of Shadow, hits shelves Tuesday, February 28th! The sequel to A Brush of Darkness, it's highly recommended! (You can also read the first chapter excerpt HERE.)
Comment on this post for a chance to receive a set of Abby Sinclair novel bookmarks..and a copy of the new release!
The recipient will be picked at random one week from today--Friday, February 17, at 3 p.m.!
doesn't surprise me that Google decided to honor Dickens in their site header. The header then inspired Mashable Tech to write a nice little mini-bio/feature:Today’s Google Doodle celebrates the 200th birthday of writer Charles Dickens.Born on Feb. 7 1812 in Landport, England, Charles John Huffam Dickens grew in tough, working-class conditions. At age 12, after his father was thrown into a debtors’ prison, he was forced to work at a blacking factory.
This experience later influenced many of his famous novels, including Oliver Twist, David Copperfield and Great Expectations.
Starting his career as a journalist, Dickens eventually started writing literary prose, which was published in monthly installments before being released as books.
His realistic portray of England’s lower-class life made him one of the greatest Victorian novelists and one of the most recognizable names in literature.
Dickens was also a philanthropist; together with Angela Burdett Coutts he founded the Urania Cottage, a home for “fallen” women, helping them learn to read and write.
Dickens died from the consequences of a stroke in his home on June 8, 1870. His last words were, reportedly, “Be natural my children. For the writer that is natural has fulfilled all the rules of art.”
See the original post HERE